Yrever Esrever Emit Raw

American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France, a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.

The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.

When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground, to hide them cleverly, so they would never hurt anybody ever again.

-- Kurt Vonnegut, Slaughter-House Five (New York: Dell, 1968), 74-75.

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Wyoming

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The Ill Natured Girl

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Here is a representation of an ill natured little girl. See what an angry and unpleasant expression her countenance has assumed. She is angry at her sister and is tearing up a note, sent to her sister by her grandmother. I will tell you the story. The grandmother of those three children, was on a visit to the house. She had observed how violent and overbearing Susan was, and how properly her sister Annie behaved. Annie was of a gentle, mild, and willing disposition. If Susan's brother should happen to take up her book, she would immediately scream out in a sharp tone, "let my book alone." If her brother should attempt to reply, she would snappishly retort, "I don't care, you shall not meddle with it." Her conduct towards Annie was just the same, in fact, she more than once answered her grandmother in such a tart and abrupt manner, that her mother whipped her for it.

A few days after the grandmother had left, there was a package came for -- "Miss Annie." It proved to be a most beautiful writing desk, made of rosewood, inlaid with mother-of-pearl. It was filled with fine paper, pens, wafers, sealing wax, and a nice seal. It contained a note in these words: -- "This present is for a little girl who knows how to keep her temper. From her affectionate grandmother." Susan was so angry that she snatched the paper and tore it into pieces. The lesson will do her good.

-- The Girl's Cabinet of Instructive and Moral Stories by Uncle Philip

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Fish Dish

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Carp with Sour Cream

1 kg carp
75 ml oil
500 g sour cream
100 g tomato paste
50 g flour
some thyme
500 g tomatoes
3 garlic cloves
chopped parsley
salt and pepper

Wash, clean and remove the scales from the carp. Cut in length and condiment it inside and outside with salt, pepper, thyme and garlic sauce (squash garlic and mix it with little water). Place the fish in a mixture of water and oil and shove it in the oven. When it is close to ready, put on top of the fish tomato slices and a sauce made out of tomato paste, flour, sour-cream and parsley and little water. Cook for 15 more minutes. Serve with well-chilled white wine.

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Bollywood

Aah (1953)
Aradhana (1969)
Awaara (1951)
Barsaat (1949)
Do Raaste (1969)
Farz (1967)
Gumnaam (1965)
Gunga Jumna (1961)
Haqeeqat (1964)
Jewel Thief (1967)
Jis Desh Men Ganga Behti Hai (1960)
Junglee (1961)
Khamoshi (1969)
Mera Naam Joker (1970)
Mohabbat Isko Kahete Hain (1965)
Mughal E Azam (1960)
Naya Daur (1957)
Ram Aur Shyam (1967)
Sahib Bibi Aur Ghulam (1962)
Sangam (1964)
Sangdil (1952)
Shree 420 (1955)
Sunghursh (1968)
Teen Deviyan (1965)

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Cocklebur

Cocklebur

Every time you plant your feet upon the snow you press down thousands of seeds, minute forms of life, each with its little store of starch or albumen, carefully compounded in Nature’s laboratory, sufficient to sustain the embryonic life until the tiny plantlet learns to draw nourishment from the breast of Mother Earth and to breathe health and vigor from the sunshine and the air. By the wayside, in stony places, among thorns and on good ground, Nature sows her seeds with lavish hand. Every tree and shrub and herb, itself held fast to one place, tries to give its offspring as great a start in the world as possible. Even in late February one may see some of Nature’s airships, designed to carry seeds. They are all built on the same principle, not to rise in the air, but to fly as far away from the tree as possible when falling from the branch. The basswood puts its seeds into little hollow wooden balls, then makes a sail out of a leaf and sets it at just the right angle to balance the seeds and catch the breeze. The winged samaras of the ash and the box elder are other modifications of the same principle. The round balls of the sycamore hang till the high winds of March loosen their strong stalks and then they break open and the club-shaped nutlets inside spread their bristly hairs to the breeze. The hop-like strobiles of the hop hornbeam seem especially made to blow over the surface of the frozen snow; they drop off the queer little oblong bags as they go and thus the smooth small nuts inside are planted. The oaks, hickories, walnuts, butternuts, hazelnuts, trust their fruits to the feet of passersby and to the squirrels and blue jays which fail to find many of their buried acorns and nuts. The big three-valved balloons of the bladdernut can sail either in the air, on the water, or over the frozen snow. The pretty clusters of the wild yam, seen climbing over the hazelbrush in the rich winter woods, have two ways of navigating in the wind; either the three-sided, papery capsule floats as a whole, or it splits through the winged angles and then the flat seeds with their membranaceous wings have a chance to flutter a foot or two away where haply they may find a square inch of unoccupied soil. The desmodium, the bidens, the agrimony and the cocklebur, which stick to your clothes even as late as February, are only using you as a Moses to lead their children to their promised land. These herb stalks above the snow, the corymbose heads of the yarrow, the spikes of the self-heal, the crosiers of the golden-rod, the panicles of the asters, the racemes of the Indian tobacco, the knotted threads of the blue vervain and the plantain, the miniature mandarin temples of the peppergrass — all these have shed, or are shedding, myriads of seeds to be silently sepulchred under the snow until earth’s easter April mornings. The withered berries of the bittersweet, the cat-brier, and the sumac, like the drupes of the early fall, are scattered far and wide by the birds. All these speak not of death, but of an eager, expectant life.

– Frederick John Lazell, Some Winter Days in Iowa (1907)

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